



Here I Am
I presented my photography works as montage photographic reproduction. Technically, montage will not be the right thing to put, its a lot more complicated than that. I exhibited two photos, which were exact same images but in a different type of printing paper. One was super matt paper that provided delicate details of the image. On the other hand, I used glossy paper, which created the effect of ambiguous reflection from the spotlight. The reflection would make spectator had difficulties to see the image. I tried to make a comparison between those two photos. Putting two same images next to each other provided unfamiliar associations. Also, for me and for the audience were both experimental experiences.
CONTENT
137 - 139 Copeland Rd, London SE15 3SL
8th Dec 2015 - 10th Dec 2015




Consciously Construction
It is hard to take photos of people. Unseen, unprepared, and unoffended. The distance between the photographer, the subject, and the camera defines the level of comfort experienced by the subject. Behind the camera, changing the image through the viewfinder is controlled by the consciousness. On the other hand, unconsciousness gently increases the reassurance and indirectly stabilises the relationship of both sides of the camera.
I-Integrate
I’m the camera. The camera is me. I see you, so does my camera.
Ⅱ-Point
I’m invisible. I hide in the dark. You can’t see me, but you are still being watched.
Ⅲ-Disorder
Can we trust our eyes?
Island Gallery, Kaohsiung City Taiwan
24th Dec 2016 - 22nd Jan 2017
Video credit: Michelle Chang




Spin Spun Spinning
Family is very important in everyone’s life. I would say family is one of the main factors to build a person. For me, my family influence me a lot, especially my mother. Asian parents usually have expectations for children, and being controlling as well. Although my mother and I get along like friends, she likes to brainwash me sometimes in a gentle and intangible way.
This project is about how I articulate my everyday emotions, and thoughts. I wonder how do I become a person like this today. Is not about belonging or identity, is more about what things and people I have encountered in the past. When I was doing this project I was having many negative energies. I was being lost, insecure, and terrified. I wished to make my audience feel my emotions by walking to my installation room. The room is like my internal world. My mother’s pictures repeatedly appear in this work because she takes a great part in my life. I use one big protection and surveillance. The small prints represent the factors that I encountered. The video only has black and white, and noise as visual to create a flashing effect. The video is to lighten up the room, the prints, also indicate those emotions comes and goes frequently but not in order. The noise I insert within the video is to show how I deal with those feelings. Like tuning the radio try to tune to the right channel.print, and loads of small prints on the wall. The big print is about I try to keep distance to everything to make myself look clearer. However, I am still under my mother’s
There are a lot of things going on at the same time, which got robots sounds, flashing video, and prints. I try to create an ambience, a feeling. The room was well organised but confusing at the same time. Once the audience spends time in the room, they will get the spinning feeling that’s why I call this project Spin Spun Spinning.